Anani’s work stems from his fascination with the Palestinian landscape and rural life, which are subjects that he has addressed throughout his artistic journey. In this series of work, one can rarely spot a human or their shadow, for the primary focus remains on the aesthetic of the place, giving the audience the chance to ponder and appreciate the scenic terrain. Olive groves, cypress trees, and wheat fields dot the hills and horizon as if they become part of an embroidered dress.

The canvases are divided with horizontal lines and spaces inspired by the ancient terraces separating the fields, conveying a panoramic perspective and a rural ambiance. The trees carry different characters in each work, as if they are putting on different costumes for each show. Throughout his artistic journey, Anani has been captivated by the Palestinian landscape and rural life. In this captivating series, human figures are seldom seen, allowing the focus to remain on the natural allure of the surroundings.